Summary
In the first recorded scene of 6/64 Mom and Dad Kren's montage leads to many interwoven continuous shots; the central shots return like a leitmotif, circular motion and networking are observed throughout the film. By painstakingly weaving the fuzziness in front of his camera lens, Kren creates dense geometric figures. The frame-counter-sequences alternate, moving back and forth between individual (!) frames, transforming actionist turmoil into ornaments, rigid geometric patterns, contemporary with what Mondrian used to distill canvases in space.
featured
Film Mutations: Festival of Invisible Cinema XIII.
Cinemaclash! Film+Power
Film Mutations: Festival of Invisible Cinema XIII. subtitled Cinemaclash! Film+Power is being held in Art-kino → more
06.-09.02.2020.
Film Is More Than Film
Film ist mehr als Film, Austria, 1996., director: Gustav Deutsch, feature film
Border
Border, France / United Kingdom, 2004., director: Laura Waddington, documentary
Pasolini's Anger. Hypotheses for the Reconstruction of the Original Version of the Film
La rabbia di Pasolini. Ipotesi di ricostruzione della versione originale del film, Italy, 1963.-2008., director: Pier Paolo Pasolini, Giuseppe Bertolucci, documentary
Film or Power
Film oder Macht, West Germany, 1970., director: Vlado Kristl, feature film
7/64: Leda and the Swan
7/64 Leda und der Schwan, Austria, 1964., director: Kurt Kren, feature film
Liberty
Liberté, France / Portugal / Spain / Germany, 2019., director: Albert Serra, feature film
Actors: Submission and Pleasure: Opening of the Festival
Actors: Submission and Pleasure,
Cinema Conversation
Cinema Conversation,
Film is. 1-6
Film ist. 1-6, director: Gustav Deutsch,
In the Name of the Law
Enligt lag, Sweden, 1958., director: Peter Weiss, Hans Nordenström, documentary
12th December
12 dicembre, Italy, 1972., director: Giovanni Bonfanti, Pier Paolo Pasolini, documentary
Power and Rebellion
Albert Serra - Selection of films,
Tommaso
Italy / United Kingdom / United States / Greece, 2019., director: Abel Ferrara, feature film
Symposium - Power of Cinemaclash
Symposium - Power of Cinemaclash,
Women's Quarter
Qaleh, Iran, 1966., director: Kamran Shirdel, documentary
Tehran Is the Capital of Iran
Teheran, Payetakht-e Iran Ast, Iran, 1966., director: Kamran Shirdel, documentary
The House is Black
Khaneh siah ast, Iran, 1963., director: Forugh Farrokhzad, documentary
The Incomparable of The Non-comparable
Lo incomparable de lo no comparable, France, 2019., director: Paul Grivas, feature film
Jean-Luc Godard: Initiation into the revolutionary film
Initiation au cinéma [révolutionnaire], France, 1969., director: Jean-Paul Török, documentary
1968: A Blind Archive
1968: A Blind Archive, Mexico, 2014., director: Bani Khoshnoudi, documentary
Visual Riots
Visual Riots,
Socialism
Film Socialisme, Switzerland / France, 2010., director: Jean-Luc Godard, feature film
Film Catastrophe
Film Catastrophe, France, 2018., director: Paul Grivas, documentary
Film/Speaks/Many/Languages
Film/Spricht/Viele/Sprachen, Austria, 1995., director: Gustav Deutsch, documentary
The Hills of Marlik
Tappeha-ye Marlik, Iran, 1963., director: Ebrahim Golestan, documentary
Brick and Mirror
Khesht o ayeneh, Iran, 1965., director: Ebrahim Golestan, feature film
El Grito
El Grito, Mexico, 1968.-1970., director: Leobardo López Aretche, documentary
Visual Riots
Nicole Brenez,
9/64 O Christmas Tree
9/64 O Tannenbaum, Austria, 1964., director: Kurt Kren, feature film
