Summary
A 3,000-year-old site in northern Iran is being excavated by foreign archeologists and farm manure. The film demonstrates Golestan's documentarism about the classic elements through which the past touches the present and in which there is a clear continuity between the life forms which the camera reveals and brings life to dead objects. Looking at the film, it is impossible not to remember the movie Les statues meurent aussi (1953), which, like this film, draws convergent lines between man, art and death, portraying the history of the world in a political and poetic way. Golestan seems to take on some techniques by which Marker, Resnais, Cloquet separate sculptures and other objects from their surroundings, in order to display them on pure black cinematic background, thus giving them volume. Golestan pays special attention to sound, so o the music - an important contribution of Mortez Hannaneh, one of the most influential Iranian composers of his time - is often muted to amplify the sound of a brush caressing a piece of broken dishes.
featured
Film Mutations: Festival of Invisible Cinema XIII.
Cinemaclash! Film+Power
Film Mutations: Festival of Invisible Cinema XIII. subtitled Cinemaclash! Film+Power is being held in Art-kino → more
06.-09.02.2020.
Film Is More Than Film
Film ist mehr als Film, Austria, 1996., director: Gustav Deutsch, feature film
Border
Border, France / United Kingdom, 2004., director: Laura Waddington, documentary
Pasolini's Anger. Hypotheses for the Reconstruction of the Original Version of the Film
La rabbia di Pasolini. Ipotesi di ricostruzione della versione originale del film, Italy, 1963.-2008., director: Pier Paolo Pasolini, Giuseppe Bertolucci, documentary
6/64: Mom and Dad (An Otto Mühl Happening)
6/64 Mama und Papa (Materialaktion Otto Mühl), Austria, 1964., director: Kurt Kren, eksperimentalni
Film or Power
Film oder Macht, West Germany, 1970., director: Vlado Kristl, feature film
7/64: Leda and the Swan
7/64 Leda und der Schwan, Austria, 1964., director: Kurt Kren, feature film
Liberty
Liberté, France / Portugal / Spain / Germany, 2019., director: Albert Serra, feature film
Actors: Submission and Pleasure: Opening of the Festival
Actors: Submission and Pleasure,
Cinema Conversation
Cinema Conversation,
Film is. 1-6
Film ist. 1-6, director: Gustav Deutsch,
In the Name of the Law
Enligt lag, Sweden, 1958., director: Peter Weiss, Hans Nordenström, documentary
12th December
12 dicembre, Italy, 1972., director: Giovanni Bonfanti, Pier Paolo Pasolini, documentary
Power and Rebellion
Albert Serra - Selection of films,
Tommaso
Italy / United Kingdom / United States / Greece, 2019., director: Abel Ferrara, feature film
Symposium - Power of Cinemaclash
Symposium - Power of Cinemaclash,
Women's Quarter
Qaleh, Iran, 1966., director: Kamran Shirdel, documentary
Tehran Is the Capital of Iran
Teheran, Payetakht-e Iran Ast, Iran, 1966., director: Kamran Shirdel, documentary
The House is Black
Khaneh siah ast, Iran, 1963., director: Forugh Farrokhzad, documentary
The Incomparable of The Non-comparable
Lo incomparable de lo no comparable, France, 2019., director: Paul Grivas, feature film
Jean-Luc Godard: Initiation into the revolutionary film
Initiation au cinéma [révolutionnaire], France, 1969., director: Jean-Paul Török, documentary
1968: A Blind Archive
1968: A Blind Archive, Mexico, 2014., director: Bani Khoshnoudi, documentary
Visual Riots
Visual Riots,
Socialism
Film Socialisme, Switzerland / France, 2010., director: Jean-Luc Godard, feature film
Film Catastrophe
Film Catastrophe, France, 2018., director: Paul Grivas, documentary
Film/Speaks/Many/Languages
Film/Spricht/Viele/Sprachen, Austria, 1995., director: Gustav Deutsch, documentary
Brick and Mirror
Khesht o ayeneh, Iran, 1965., director: Ebrahim Golestan, feature film
El Grito
El Grito, Mexico, 1968.-1970., director: Leobardo López Aretche, documentary
Visual Riots
Nicole Brenez,
9/64 O Christmas Tree
9/64 O Tannenbaum, Austria, 1964., director: Kurt Kren, feature film
