Touch Me Not, Romania / Germany / Czech Republic / Bulgaria / France, 2018., director: Adina Pintilie, feature film
Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering → more
Madeline's Madeline, USA, 2018., director: Josephine Decker, feature film
A theatre director's latest project takes on a life of its own when her young star takes her performance too seriously. → more
Black Mother, USA, 2018., director: Khalik Allah, documentary
From red light districts to lush rain-forests, 'Black Mother' is a loving and lyrical ode to Jamaica and its people, a visual poem that is at once deeply felt love letter and ecstatic street-corner prayer. → more
Das schönste Land der Welt, Austria, 2018., director: Želimir Žilnik, feature film
The clash of two worlds in the present-day Europe. As the indigenous population seeks to defend the status quo against escalating immigration, the newcomers are burdened by their own displacement. Forced to flee their homes, → more
Da xiang xi di er zuo, China, 2018., director: Hu Bo, feature film
In the northern Chinese city of Manzhouli, they say there is an elephant that simply sits and ignores the world. Manzhouli becomes an obsession for the protagonists of this film, a longed-for escape from the → more
Hrvatska, 2018., director: Željka Suková, eksperimentalni
Djevojčica i dječak skitaju usamljeni neobuzdanom prirodom iskušavajući put u stvarne i imaginativne pejzaže. Sve više i više, dječja mašta i sukob između profanog i svjetovnog počinje prožimati njihovo ponašanje. Alegorijska potjera za čežnjom povratka → more
Hrvatska, 2018., director: Aleš Suk, eksperimentalni
Put putnika iz ovog svijeta do svijeta prošlog, u obliku bliskom snu. Goli otok, Titov politički zatvor predstavljan kao ljetnikovac u kojem su se mnogi toliko odmarali da se nikada nisu vratili. Tamo se anonimno → more
