08.02.2020.
Program Introduction and Conversation: Jonathan Rosenbaum Jonathan Rosenbaum is one of the truly inspiring film essayists and critics, and a constant contributor to Film Mutation programs. Rosenbaum will present an up-to-date, political program of visible and → more
08.02.2020.
The Interdisciplinary Symposium of THE POWER OF CINEMACLASH, moderated by curators Branka Benčić and Tanja Vrvilo, focuses on the transgression loop of anarchy of power in the extended century of cinema: from futuristic manifestos without → more
07.02.2020.
One of the most intriguing filmmakers of today, the Catalan radical filmmaker Albert Serra will present films of his choice as part of the POWER AND REBELLION program.
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07.02.2020.
December 12, 2016 - The battle is lost, but the fight continues (lotta continua). "Fight hard and fearlessly ..." Schedule: In The Name of the Law (Enligt lag), Peter Weiss, Hans Nordenström; Sweden, 1958., 18 min. 12th December → more
07.02.2020.
Schedule: Movement and Time | Bewegung und Zeit | (15 min.) Light and Darkness | Licht und Dunkelheit | (10 min.) An Instrument | Ein Instrument | (10 min.) Material | Material | (8 min.) A Blink of an Eye | Ein Augenblick | (7 min.) A → more
07.02.2020.
Abel Ferrara, Albert Serra, Montse Triola, Cristina Chiriac, Joe Delia, Paul Hipp and Jonathan Rosenbaum are the guests of Cinema Conversation. We invite the audience and media representatives to socialize with this year's guests of the → more
06.02.2020.
OPENING of Film Mutations: Festival of Invisible Cinema XIII ALBERT SERRA i ALEXANDER GARCÍA DÜTTMANN | Actors: Submission and Pleasure Conversation before the film German philosopher Alexander Garcia-Duttmann and Catalan artist Albert Serra will discuss the role of → more
06.02.2020.
Schedule:
6/64: Mom and Dad (An Otto Mühl Happening) (6/64 Mama und Papa (Materialaktion Otto Mühl)), Kurt Kren; Austria, 1964., 3 min.
Film or Power (Film oder Macht), Vlado Kristl; West Germany; 1970. 110 min.
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06.02.2020.
Schedule:
Film Is More Than FIlm (Film ist mehr als Film), Gustav Deutsch; Austria, 1996., 1 min.
Border, Laura Waddington; France / UK, 2004., 27 min.
Pasolini's Anger. Hypotheses for the Reconstruction of the Original Version of the
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03.02.2020.
The modes of portraying female sexuality on film since the appearance of this medium have been trapped between two extremes that are effectively summed up by the famous folk catchfrase either saint or whore. Between → more